For twenty years, Benoit Aquin has travelled widely, determined to construct a global project. From initial forays into the Caribbean in the late 1980s (notably Haiti, where he focused on the practice of voodoo, a project that he would extend over the next five years), through photographing the banana plantations of Nicaragua, to recording the drastic effects of climate change in northern Quebec, Aquin’s work has always been characterized by a deep concern with the environment and humankind’s increasingly devastating impact on it.